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“Since we started monitoring, this is the first ever case of a coronavirus pandemic that has two dangerous implications: it moves fast and kills at the same time,” he said.

– The dl of August will probably include the possibility of obtaining a 20% discount at the restaurant. ANSA learns this, according to which the reimbursement – on which the deputy ministers Laura Castelli and Stefano Buffagni are working, would arrive directly on the account or on the card or, alternatively, by registering with a special app. The total allocation would be around one billion euros. The bonus would apply to expenses from September to December and the reimbursement mechanism could also be monthly.

– The number of coronavirus infections in Tokyo returns to rise after the downsizing in the last two days. On Tuesday, the capital registered 309 new positivity, against an increase in swabs – which brings the total number of infections to just over 14 thousand, over a third of the total national sum

– “At the moment 64 patients are admitted to our Institute. Of these 51 are positive for the Sars-CoV-2 research swab, 13 undergoing investigations”. It can be read in the Spallanzani medical bulletin. “2 patients need Intensive Care, while those discharged and transferred to home or other local structures, are 558 this morning”.

– 250 migrants, all Tunisians, have so far been boarded on the quarantine ship Gnv Azzurra which is located in Lampedusa. The Gnv Azzurra has a total of 1,000 seats. Boarding, under the supervision of the police and carabinieri, takes place in Cala Pisana. The migrants, with masks and backpacks, go up in groups of 10 and the Red Cross displaces them on the various bridges. The refugees will arrive from the hotspot in the Imbriacola district, until all the available places are filled.

– “It is clear that the second wave of Covid-19 has arrived. The number of infections” in Belgium “is growing and it is not a small increase. We do not know how long it will last and how much the curves will go up. However, this second wave may not have dramatic consequences: the measures implemented by the National Security Council can work “. So Steven Van Gucht, president of the scientific committee on coronavirus of the Institute of Health, Sciensano, according to what is reported by the online Belgian newspapers.

– The Argentine Ministry of Health has announced that in the last 24 hours the deaths from the coronavirus pandemic have been 166, a record for a single day, bringing the general death toll to 3,813. As for the infections, with the 4,824 located in the latest tests, they reached 206,743, placing Argentina in sixth place among the Latin American nations.

– The United States yesterday recorded an additional 46,321 infections and 532 deaths from coronavirus in 24 hours, according to the Johns Hopkins University tally. The total in the country most affected by the pandemic rises to 4,711,323 cases and 155,366 victims.

– The territorial differences in the seroprevalence survey on the development of antibodies to SarsCov2 in the population are very “accentuated” and Lombardy reaches its maximum with 7.5% seroprevalence, that is 7 times the value detected in the more low diffusion especially in the South. It emerges from the first results of the seroprevalence survey released by the Ministry of Health and Istat.

– “Asynotomatics are not a low share: they reach 27.3%”: this is highlighted by the investigation on seroprevalence in the context of the coronavirus emergency that is presented in these minutes to the Ministry of Health. “An estimate similar to that of Spain – underlined Sabatini, Istat central director.

– Five Italian regions do not register new cases of coronavirus: they are Marche, Friuli Venezia Giulia, Calabria, Valle d’Aosta and Basilicata.

– There are 159 infections from Covid in the last 24 hours in Italy (yesterday there were 239). According to data from the Ministry of Health, however, the victims are increasing, which are 12 (yesterday there were 8) and reach a total of 35.1

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now that he has arrived, those 63 governments pale and evaporate into inconsistency. It is a variant of “after me the flood” which sounds like this: “Before me the desert”. Something like: hey, friends, do you remember how hard it was when there was no wheel? Well, thank goodness that Matteo has now invented it.

On another occasion, even more enlightening (it was September 2015) he said that the country has been waiting for his reform, his and the reform fairy Boschi, for seventy years. That is: Togliatti and De Gasperi, so to speak, were still studying the Constitution (the real one, born of the Resistance), who were already eagerly awaiting Matteo’s changes. A kind of time machine, in short, always used in the same way: the past sucks everything, before me there was nothing and the whole Italian post-war period was just a confused period of waiting for the man of destiny .

That this is a bit of an obsession, this of the past, is starting to become evident. One could also bring up the slogan of the Party (of the Nation?) That George Orwell invented in 1984: “Who controls the past controls the future: who controls the present controls the past”, which was not bad. But perhaps it would be too much to bother Orwell, and then let’s be content with more recent literature, such as the slogan coined for the launch of l’Unità (summer 2015): “The past is changing”. Here, never had a slogan resembled an aspiration so much: changing the past also means making fun of 63 previous governments as irrelevant, or imagining that your reforms were waiting for them like manna even before there was something to reform. Waiting to be the future, as he hopes, and sitting on a present that wobbles a little, Renzi and his authors decide that in the meantime it is better to spit on everything that was there before, and many forgetful ones (for ignorance or convenience) they could fall for it.

After that it will be noted that some of the most important reforms for the life of the country were made in the past, some when Renzi was not yet born. The Workers’ Statute (1970), or the National Health Service (1974), to name just two, were even created with the perfect bicameralism, today indicated as a cause of slowness, and even with proportional electoral laws (other than the who-wins -piglia-all of the Italicum).

And, again to stick to the two examples just mentioned, it is a bit true, yes, “the past is changing”, as the slogan of l’Unità said, but for the worse, because the pickaxes to the Workers’ Statute are there to see (Jobs Act), and as for the National Health Service, well, all those who now pay for analyzes that were free a few months ago know it. Voila. In addition, the obsession with the past that will guide the referendum campaign (enough! Go away! Everything new!) Contains its own internal contradiction: it is shouted that a new Constitution is needed to carry out the reforms, that this one makes us immobile, but at the same time the ongoing reforms are celebrated as epochal and astonishing. A bit like saying: look! I only have one leg !, and in the meantime boast of winning the hundred meters.

At the twenty-second photograph of the prime minister next to the Riace bronzes released by the propaganda ministry, one might think: “Look, I’m Renzi, a sculptor too! And also good! ”. Instead it was the last ribbon-cutting, the final inauguration of something already partially inaugurated (Minister Bray in December 2013). Really beautiful, the archaeological museum of Reggio Calabria, which has been working on since the time of Prodi (and perhaps for that reason it also contains artifacts from the Paleolithic). The best, however, in the main hall: the three most famous bronze faces in Italy, two on their anti-seismic pedestal, the other engaged in the promotional campaign of his government.

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to official narration get busy. For now Gomorrah triumphs, the second double series of plays than the first. For now, the criticism passes from the ethical-moral question (urca! There are the bad guys! And look how bad they are!) To the wound of national pride. The current prime minister goes to Naples to say that “The city is not just the set of Gomorrah” (sic), and oh well. Previous presidents of the council (Silvio buonanima) instead said they wanted to strangle Saviano because he somehow tarnished the image of Italy (which he was defending so much with banana skirts, by the way). Deep tunes.

But be it. Let’s leave the contingent controversy and try to draw a line. Therefore – and this is the author of noir speaking – evil should be told with a certain moderation. While he doesn’t win. Then it is shown in all its neutrality: just bad. Not bad with roots, not bad with economic-political-cultural explanations, or complicity of power, or even at the service of certain powers, but only badly. And then, preferably, have a somewhat hard-boiled guy come and set things right. As Edoardo Albinati writes in his The Catholic School, we are witnessing the “uninterrupted creation of commissioners or detectives (…) who solve the enigna between one lunch and the next”. And they defeat evil.

But there is the usual problem of lines and boundaries: where are they fixed, and who decides them? And isn’t there a risk as in the twenty years when the anxiety of showing a crime-free society led censorship to prohibit, or at least strongly discourage noir literature? In this case, one can ask for light on the ruthless biography of Augusto De Angelis, who was a good crime writer in the 1930s, wrote dozens of novels with the dead man, was imprisoned and then beaten to death by a fascist for futile reasons. Here, so he learns to say that blood flows even when trains arrive on time.

Theoretical lines and cultural guidelines: a bit like arresting Dostoevsky instead of Rascol’nikov, imprisoning Marlon Brando for the mafia, or claiming that Robert De Niro ruins the image of the United States. Not to mention Don Winslow who, as he recounted the bloody epic of Mexican narcos, should at least be in a Sinaloa prison. Nice debate, yes.

But then, since we are here, in Italy, one cannot escape an acid taste of exploitation. Thus, the story of evil that has been considered sacrosanct denunciation for years, today is considered fascination (if all goes well) and even incitement or apology (if it goes wrong: I warn you that here it often goes wrong). In short, Gomorrah is not only a narration of evil, of its mechanisms of domination, of its rules, of its excessive power, but it is also the counter-narrative to the refrain in vogue that everything is fine, very well indeed. Unable to intervene on reality, sometimes even implicated in that reality, those who tell it are reproached. A bit like going to Victor Hugo and saying to him: “Well, but look at how many Miserables you have created!”.

In the meantime – even off the air and out of schedule – the baby-bosses of Camorra huff, beat and clean the machine gun. Uff, just don’t tell them, right?

There are at least five months to go until the referendum, and nothing else is being talked about. The clash will be tough and must be faced as such. The country is divided, it is true, but it is also an opportunity to make a lot of money. Here are the new professions that will make you rich thanks to the clash over constitutional reforms.

Quotes seekers. With your work as a Wikipedia scavenger you can curry favor with the leadership and thus hope for lucrative rewards. The case of Piero C., pharmacist from Pisa is noteworthy. In a rare post-war tape he picked up the following words:

Pastry charts.

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And after all, what does Milton give to Fulvia in Fenoglio’s A Private Matter? Over the rainbow …

What’s worse (don’t laugh) jazz is also “Afro-demo-Pluto-Judeo-boulder-epileptoid music”. In short, double basses and orchestras instead of guitars and mandolins? Let’s not joke, where are we going to end up? There is not much to laugh about, if you think that Giorgia Meloni takes it out on John Lennon’s Imagine … The wolf, the vice, etc. etc.

So the song is not heard, it does not go to Eiar, the radio, but half of Italy hums it, amused, secretly, by the childish Crapa pelada rhythmic with vocalese curvatures in the chorus, so American, exotic, funny; in the dance clubs it is sung at the end, when a few people have left, even the guards: Carboneria jazz from the 1930s.

The fact is that in 1936, in Italy, when the song conquers everyone, “Crapa Pelada” is only one. He, the strong-willed jaw, the leader of the Empire, the solemn speck of fascism, the assassin of Palazzo Venezia. Laughing at power, winks, whistles, hints, are all things that the regimes fear like the black plague. Humming Crapa pelada can cost you jail: a great semi-clandestine success.

The history of the fascist censorship of songs is vast and in some cases even hilarious. When Italo Balbo crashes in a plane, so to speak, it will also become a problem to sing “Maramao because you are dead” (Consiglio-Panzeri, 1939, performance of the Trio Lescano), with that wonderful and very Italian verse, “Pan e vin ti non tiva” So what the fuck were you going to crash into the skies of Tobruk? Discontent in the regime, funny songs, whistled as signals, a small, passive resistance, made up of minimal gestures, signs of recognition, a verse was enough and you knew how you thought.

Then, as we know, the regime ended, “Crapa pelada”, the real one, too, and in 1945 the Quartetto Cetra recorded – it seems a celebration – a portentous version, first melodic and then (I apologize) very swish, whirling, which said yes, of course, we use the swing to sing absurd, stupid nursery rhymes, omelettes and tortelli, but also to say that it is finally possible. Everything was freed, even a song was freed. Great success.

That Crapa pelada then ended up in the very refined soundtrack of Breaking Bad, and therefore definitively delivered to the pop cult of our years, may be a coincidence, but it somehow makes it a standard of world jazz, with millions of views, something that he will not die, he will go on again, since three brothers from Milan gave Caravaggio a handful of blows.

Virginia Raggi, mayor of Rome, did well, very well, to block the idea of ​​a museum of fascism in the bud. Whoever presented the motion (three advisers from the 5 stars) did well to withdraw it. With the air that pulls, with the neo-fascists occupying buildings (Casa Pound), who defend the massacres of the Bologna station (Senator Ruspandini, from Fratelli d’Italia), who dress up as Nazis (Gabrio Vaccarin, elected in Nimis , Udine, with Brothers of Italy), who go to dinners in memory of the duce (the candidate for governor of the Marche Acquaroli, also Brothers of Italy), the effect of celebration is risked. Or a Predappio-like antics. Or an obscenity like the mausoleum of the criminal Graziani in Affile. I mean, no, thanks.

Room one. The visitor enters a large hall where he is beaten by some daredevils who say they are doing it for the homeland. A special software recognizes the intellectuals who have to drink two bottles of castor oil to continue the visit. Enthusiasm in the Brothers of Italy.

Room two. A little bruised, the visitor enters the second room, where a questionnaire is submitted: do you like the museum? Those who answer “no” lose their jobs, are fired or arrested on the spot. There is also a specific question: “Are you called Matteotti?”. Nobody has the courage to answer “yes”. Employees of the Brothers of Italy check the documents to find who has lied.